Monday Reflections | February 22nd, 2010
New in the stacks:
Incarceron by Catherine Fisher.
“Incarceron is a prison so vast that it contains not only cells, but also metal forests, dilapidated cities, and vast wilderness. Finn, a seventeen-year-old prisoner, has no memory of his childhood and is sure that he came from Outside Incarceron. Very few prisoners believe that there is an Outside, however, which makes escape seems impossible.
And then Finn finds a crystal key that allows him to communicate with a girl named Claudia. She claims to live Outside—she is the daughter of the Warden of Incarceron, and doomed to an arranged marriage. Finn is determined to escape the prison and Claudia believes she can help him. But they don’t realize that there is more to Incarceron than meets the eye, and escape will take their greatest courage and cost more than they know. Because Incarceron is alive.”
The Fireside Cook Book by James Beard.
(Warning: this cookbook was first printed in 1949; if you’re afraid of actual food like butter and lard, don’t bother.)
“The Fireside Cook Book is designed for people who are not content to regard food just as something one transfers periodically from plate to mouth. It is for those who recognize that a simple family meal (as well as a dress-up dinner party) can be a pleasure and a special event.
The wide variety of I-can’t-wait-to-try-it dishes in the book are presented according to a new and different theory. You will find here no attempt to overwhelm the cook with all the recipes ever concocted. Instead, you will find clear, easy-to-follow instructions for the basic preparation of every food, followed in each case by fascinating variations. The basic recipes and variations add up to 1,217 tested dishes — simple enough for the novice, delicious enough for the most meticulous master chef, complete enough for the most imaginative menus without a repetition.
A detailed chapter is devoted to the art of outdoor cookery, another to the preparation of hors d’oeuvres, cocktail snacks, and supper snacks. There is an entire section of suggested menus subdivided into cold weather meals and summer doldrum hints. There is also a complete section on wines and liquors.
The 36 full-color pictures and the nearly 400 other color pictures are themselves full of helpful invention. Handsome double-page spreads employ visual-aid methods to give practical details about, and special uses of, cuts of meat, varieties of wine, and types of fish.
Here, in short, is a book that is an indispensable addition to every American home in which good food is appreciated. It is a book to use constantly, to pore over with delight, and give to all friends from whom you can reasonably expect a future dinner invitation.”
Wishlisted:
Linger by Maggie Stiefvater.
“In Maggie Stiefvater’s Shiver, Grace and Sam found each other. Now, in Linger, they must fight to be together. For Grace, this means defying her parents and keeping a very dangerous secret about her own well-being. For Sam, this means grappling with his werewolf past . . . and figuring out a way to survive into the future. Add into the mix a new wolf named Cole, whose own past has the potential to destroy the whole pack. And Isabelle, who already lost her brother to the wolves . . . and is nonetheless drawn to Cole.
At turns harrowing and euphoric, Linger is a spellbinding love story that explores both sides of love — the light and the dark, the warm and the cold — in a way you will never forget.”
Permaculture: A Designer’s Manual by Bill Mollison and Rena Mia Slay.
(From a review at Amazon:) “This is the definitive Permaculture design manual in print since 1988. It is the text book and curriculum for the 72-hour Certificate course in Permaculture Design. Written for teachers, students and designers, it follows on and greatly enlarges on the initial introductory texts, Permaculture One (1978) and Permaculture Two (1979) both of which are still in demand over twenty years after publication. Very little of the material found in this book is reproduced from the former texts. It covers design methodologies and strategies for both urban and rural applications describing property design and natural farming techniques.”
The Contrary Farmer by Gene Logsdon.
“Gene Logsdon has become something of a rabble-rouser in progressive farm circles, stirring up debates and controversies with his popular New Farm magazine column, The Contrary Farmer. One of Logsdon’s principle contrarieties is the opinion that—popular images of the vanishing American farmer, notwithstanding—greater numbers of people in the U.S. will soon be growing and raising a greater share of their own food than at any time since the last century. Instead of vanishing, more and more farmers will be cottage farming, part-time.
This detailed and personal account of how Logsdon’s family uses the art and science of agriculture to achieve a reasonably happy and ecologically sane way of life in an example for all who seek a sustainable lifestyle. In The Contrary Farmer, Logsdon offers the tried-and-true, practical advice of a manual for the cottage farmer, as well as the subtler delights of a meditation in praise of work and pleasure. The Contrary Farmer will give its readers tools and tenets, but also hilarious commentaries and beautiful evocations of the Ohio countryside that Logsdon knows as his place in the universe.”
What I’m Watching:
All In a Night’s Work starring Dean Martin and Shirley MacLaine.
“After the sudden death of magazine publisher Colonel Ryder, his nephew, Tony (Martin) inherits the magazine and has big plans to expand it. While negotiating a loan from the bank, Tony gets a call from a detective surrounding his uncle’s death. It turns out Colonel Ryder died in his hotel room with a smile on his face and a young woman (MacLaine) was seen fleeing his room wearing only a towel. Suspicious of this woman and afraid the magazine’s wholesome image may be tarnished and their loan denied, Tony asks the detective to stick around and find her. What ensues is a series of misunderstandings.”
Shirley MacLaine is such a cutie in this, and knowing she had a real-life crush on Dean Martin makes this film even more adorable. As a Dean Martin fan, this is one of my favorite films of his; I like him as a romantic lead better than as Sinatra’s sidekick (I have this feeling that in real life, it was the other way around.)
What I’m Reading:
Incarceron by Catherine Fisher.
I’m only a few chapters in and not sure what to make of it. At first I thought the female protagonist was going to be one of those “I’m living in a patriarchal pre-modern society but I’m not a priss so there!” sorts of characters that I am oh-so-sick of, but she may turn out to be more complicated than that. The setting is unusual and the story is intense so far.
What I’m Writing:
As usual, as soon as I started working on Foxglove, I started getting ideas for Evening Primrose (aka Amaranth; I’m not sure I should have changed the working title.) The main character’s personality is dramatically different now, which is a good thing as she was pretty dull before. I’m getting back to Foxglove now though. Mostly I’ve been sorting through old notes for my setting, Searoyal, getting them ready to go into VoodooPad.
What I’m Revising: Still working through Dogwood, but I haven’t picked it up in a bit. I’m starting to feel less intimidated by it, so I’ll tackle it again soon.
Around the House:
On Valentine’s Day, my dad gave me a beautiful miniature rosebush. I’ve transferred it into a pot, and it seems to be doing all right.

I also got a bunch of herb seeds in the mail, and I’m waiting for a few more: spearmint, catnip, California Poppy, Hungarian Breadseed Poppy (a culinary poppy), chervil, garlic chives, Purple Opal Basil, and others. The plan is to set out a small greenhouse on my deck to keep the ground squirrels and deer away.
Cooking:
Heading over to a friend’s for potluck dinner and hanging out tonight, and I’m making Cheese and Broccoli soup. Other than that, haven’t been cooking much.
Spirituality:
I’m trying to enjoy being at home more. I need to not spend every second busy and wrapped up in activity in an effort to keep the loneliness away.
Harvest Moon Diaries: Cruise Control Sheep
I’ve been playing Harvest Moon: Animal Parade for the Wii the past few weeks, and I’m finally able to ride one of my animals! A sheep!
When your animals are well-cared-for, some of them will let you ride them. This is a big help because the days are really short in Harvest Moon and walking can be time consuming. My sheep, named Lafayete because 1) there wasn’t room to spell it correctly and 2) I thought she was a boy because the default name was “Charlie”, is now my noble steed!

Onward, Lafayete!

Here Lafayete and I charge across the grassy hillock, so fast she is merely a white blur.

Faithful Lafayete awaits my return from the darkness of Fugue Forest.
In other news, I found out I can make jelly with foraged berries, and herbal tea with foraged leaves.

I have no idea why it says “Raspberry Jam” above my head. I was definitely canning blackberries.

Blackberry Jam. Waste not, want not!
These are much better for giving to friends and neighbors than random leaves and berries I’ve put in my pocket.
New WiP: Foxglove
I’m working on a “new” project, working title Foxglove, and it’s almost as if I’ve forgotten how to plan a story. (I put quotes around “new” because really, the idea is old, but I’m starting over with it.)
I did no planning for my NaNoWriMo manuscript, Dogwood, and even though it left my novel an unmitigated mess, it was freeing and helped me see that things don’t have be perfectly planned for the manuscript to get finished. In my case, over-planning is a detriment. It’s probably the reason why I’ve got so many unfinished stories in my files. It’s not that I feel like “I’ve told the story already”; it’s just that having all the scenes planned makes me feel committed to them, and saps all the joy out of writing them down.
In spite of that, I wanted to do a little planning this time around, and realized as I started that I’d forgotten how. I stared at my barely begun 7 1/2 Point Plan, wondering what should happen. I sat down for a few minutes with Orson Scott Card’s How to Write Science Fiction & Fantasy (a classic genre how-to, especially great for beginners), and he reminded me that story planning is all about those “what if” questions. A light went on. “Oh, yeah! Brainstorming!”
Brainstorming is something I’m good at, up to a point. After I get a certain amount of framework in my mind, however, I have to start being organized and sitting down with a pen and notebook to draw maps and do free association. I don’t know if it’s OCD or what, but I start circling around the same ideas over and over after awhile, broken record-like, and if I don’t start writing things down I can’t get past that point.
I’m feeling positive about Foxglove, which will be the first novel in my Searoyal setting. I have a much better understanding of my own process than I did before NaNoWriMo. While I plan out the 7 major plot points of my story, I’m also going to work on a setting bible, just so I can keep everything straight.
Cover Attraction: The Night Fairy by Laura Amy Schlitz
(Cover Attraction doesn’t seem to be happening today, but since I already had my post written in advance, I thought I’d go ahead and publish it.)
Marcia at The Printed Page hosts Cover Attraction, a weekly occasion to post an eye-catching cover. The covers I post may be from books I own, something I’ve recently wishlisted, or just a cool cover I really think everybody should see. Sometimes I may have something to say about the artwork itself, but I’m not an art major or anything so please keep that in mind; I’m just trying my best to get the idea across.

The Night Fairy by Laura Amy Schlitz and Angela Barrett.
From 2008 Newbery Medalist Laura Amy Schlitz comes an exhilarating new adventure — and a thoroughly original fairy who is a true force of nature.
What would happen to a fairy if she lost her wings and could no longer fly? Flory, a young night fairy no taller than an acorn and still becoming accustomed to her wings — wings as beautiful as those of a luna moth — is about to find out. What she discovers is that the world is very big and very dangerous. But Flory is fierce and willing to do whatever it takes to survive. If that means telling others what to do — like Skuggle, a squirrel ruled by his stomach — so be it. Not every creature, however, is as willing
to bend to Flory’s demands. Newbery Medal winner Laura Amy Schlitz and world-renowned illustrator and miniaturist Angela Barrett venture into the realm of the illustrated classic — a classic entirely and exquisitely of their making, and a magnificent adventure.
I’m charmed by the tininess of the heroine, the richness of the night, the scale (the leaves and the hummingbird are both bigger than the protagonist). Just beautiful! I’d love to look inside this book and see the rest of the illustrations.
Lois McMaster Bujold’s Planning Style
I’m endlessly fascinated by how different successful authors approach the story planning process. Cheryl at Learn to Write Fiction compares the processes of three authors in The Many Faces of a Plotter. She says of Lois McMaster Bujold:
Lois makes a broad section outline, what she calls “the event horizon”, which is how far she can see to write until she has to stop and make up some more. This is usually between one and three chapters. She gets mental pictures of what scenes should go in the next chapter and she pushes them around until they slot into sequence. She then pulls out the next scene and outlines it closely, as a kind of messy first draft. She choreographs dialogue especially carefully.
I find this approach interesting. Cheryl doesn’t say whether Bujold knows the ending, but she does mention that she re-outlines frequently, since each scene can change what comes next. If I was ever going to try writing a story in linear order again (the order in which the finished novel would be read), I think this is the method I’d try. But I’d have to have at least an idea of some ending, even a pretend one. I need that false sense of security to keep the pages coming.
My Bookcases
Here’s where I pull the books down from.

As you can see, it’s full. I haven’t read about half of these, which is embarassing. When I do, I’ll be able to make more room because I’m pretty good about getting rid of books I’ve read. I only keep the ones that I’m really crazy about, or that are part of a series I’m working on.
Monday Reflections | February 15th, 2010
New in the stacks:
Nothing. Isn’t that sad? ;)
Wishlisted:
The Night Fairy by Laura Amy Schlitz.
“From 2008 Newbery Medalist Laura Amy Schlitz comes an exhilarating new adventure — and a thoroughly original fairy who is a true force of nature.
What would happen to a fairy if she lost her wings and could no longer fly? Flory, a young night fairy no taller than an acorn and still becoming accustomed to her wings — wings as beautiful as those of a luna moth — is about to find out. What she discovers is that the world is very big and very dangerous. But Flory is fierce and willing to do whatever it takes to survive. If that means telling others what to do — like Skuggle, a squirrel ruled by his stomach — so be it. Not every creature, however, is as willing to bend to Flory’s demands. Newbery Medal winner Laura Amy Schlitz and world-renowned illustrator and miniaturist Angela Barrett venture into the realm of the illustrated classic — a classic entirely and exquisitely of their making, and a magnificent adventure.”
Where Everything Ends by Ray Bradbury.
“In 1949, a struggling writer—a man very much like the young Ray Bradbury—boards a late night trolley in Venice, California and hears a disembodied voice murmur the words: ‘Death is a lonely business.’ Shortly afterward, that same young man discovers a body trapped in a cage beneath the waters of the local canal. Convinced of a connection between these events, the narrator/hero—together with a wonderfully characterized detective named Elmo Crumley (named in a nod to noted mystery novelist James Crumley) begins to investigate a series of suspicious deaths among the disenfranchised population of Venice.
Death is a Lonely Business was Ray Bradbury’s first book-length foray into classical detective fiction. Two others followed: A Graveyard for Lunatics, in which Crumley and our hero (now a gainfully employed scriptwriter) join forces with special effects wizard Ray Harryhausen, and Let’s All Kill Constance, a tale of mystery and suspense set against the faded backdrop of Hollywood’s Golden Age. All three, together with Where Everything Ends, the never-before-published title story that preceded and inspired them, are now gathered together in a single generous volume that should prove indispensable to Bradbury’s large and loyal readership.
Freely acknowledging the influence of the genre’s masters (Hammett, Chandler, MacDonald, and Cain), all of these stories successfully transcend those influences, filtering them through their author’s wholly unique sensibility. The result is a powerfully nostalgic evocation of time and place, and an unforgettable portrait of a writer in love with language, with movies, and with the transformative power of stories themselves.”
How to Read a Book by Mortimer J. Adler and Charles Van Doren.
“How to Read a Book, originally published in 1940, has become a rare phenomenon, a living classic. It is the best and most successful guide to reading comprehension for the general reader. And now it has been completely rewritten and updated.”
You are told about the various levels of reading and how to achieve them — from elementary reading, through systematic skimming and inspectional reading, to speed reading, you learn how to pigeonhole a book, X-ray it, extract the author’s message, criticize. You are taught the different reading techniques for reading practical books, imaginative literature, plays, poetry, history, science and mathematics, philosophy and social science.”
The Case For a Creator by Lee Strobel.
“A Journalist Investigates Scientific Evidence That Points Toward God. ‘My road to atheism was paved by science . . . But, ironically, so was my later journey to God.’—Lee Strobel. During his academic years, Lee Strobel became convinced that God was outmoded, a belief that colored his ensuing career as an award-winning journalist at the Chicago Tribune. Science had made the idea of a Creator irrelevant—or so Strobel thought. But today science is pointing in a different direction. In recent years, a diverse and impressive body of research has increasingly supported the conclusion that the universe was intelligently designed. At the same time, Darwinism has faltered in the face of concrete facts and hard reason. Has science discovered God? At the very least, it’s giving faith an immense boost as new findings emerge about the incredible complexity of our universe. Join Strobel as he reexamines the theories that once led him away from God. Through his compelling and highly readable account, you’ll encounter the mind-stretching discoveries from cosmology, cellular biology, DNA research, astronomy, physics, and human consciousness that present astonishing evidence in The Case for a Creator.”
Concise Guide to Self-Sufficiency by John Seymour.
“Teaching all the skills needed to live independently in harmony with the land, from harnessing natural forms of energy and raising crops to keeping livestock and preserving foodstuffs, this new format of John Seymour’s classic is still the most practical guide for realists and dreamers alike.”
What I’m Watching:
Arranged – Pretty cute, even if it (I think intentionally) glosses over some of the cultural issues women of these two religions face. I found it interesting to see a film that is positive towards arranged marriages, an unusual stance to take in the West though it’s a reality for many people in the world.
What I’m Reading:
The Sheen on the Silk by Anne Perry.
Still reading this one, and enjoying it.
What I’m Writing:
Worked a little on Foxglove, but not much. Thinking about setting up a small setting “bible” so I can keep all my world-building straight. I have stuff written all over legal pads, notebooks, sticky notes, graph paper, etc., some of it probably in triplicate or more. It would help to have it all in one place.
What I’m Revising:
I haven’t touched Dogwood in awhile. This stage of the process is just mentally exhausting.
Around the House:
Spent some time this past weekend going through old papers, receipts and mail. Threw a bunch of stuff away so now I can really start sorting through my writing. Messed with my jewelry making some more, and found out that the antique brass headpins don’t match the wire I’m using and there’s no way to fix it. I’m sick of dealing with the pre-antiqued wire so I may switch to copper and learn to antique it myself. Sounds kind of fun, honestly.
Cooking:
Not much cooking lately. Made some chicken salad with homemade mayonnaise made by a friend which turned out lovely.
Spirituality:
I just keep trying to make time during the day for prayer, reflection and Bible reading. Sadly, my attention span is shorter than it once was. I feel overwhelmed by too many choices each day, and it’s hard to sit quietly without thinking about everything I have to do.
Also, apparently, not being able to find something when I know where it should be is enough to throw me into an unmitigated rage. This is something I must work on.
Netspeak is the New Asparagus
As much as the internet is supposed to break barriers and connect us with strangers from all over the known world, more and more I get the feeling that the internet is actually pretty insular. There are still all kinds of people who don’t use the internet, or who use it as little as possible. We also form groups (sometimes called “fandoms”) and cliques online, and each group may have its own jargon, apart from more “mainstream” netspeak.
I’ve been thinking about internet jargon, especially the jargon used by the tech-savvy, and fandom-specific jargon, and how it further serves to create an insular web. The jargon we use keeps out imposters, allows us to pigeonhole new arrivals, and sometimes even lets us pass judgement on those who use it incorrectly, or not at all.
I’m reminded of a G.K. Chesterton essay about the eating of asparagus with one’s fingers:
“We will not exaggerate. Eating soup with the fingers, the young student should not attempt; and sauces, custards and even curries are no field for the manual labourer. I would not eat stewed rhubarb with my fingers, or, indeed, with any instrument that science could devise. Even with things involving treacle, I have not a good touch. But, while strictly avoiding anything like exaggeration or frivolity, I still note that the point of asparagus is that it is not the food, among other foods, specially fitted to the fingers. In other words, the principle could not have been deduced from abstract reason, or have grown out of the general instincts of men. It could not have been custom: that is why it was etiquette.”
Intentionally or not, the jargon we use daily serves to keep out the unwashed masses, and the more often it changes, the better it works.
“Do you tell me they don’t eat asparagus with their fingers now? Do I not know that in some of the best houses they have little tongs for each person, which are charming? Have I not heard that asparagus is now lowered into the open mouth on a string, or shot into the mouth with a small gun, or eaten with the toes, or not eaten at all? No; I do not know, that is what I wish to point out. They have changed the password.”
To be fair, I don’t think most people use jargon this way on purpose. More than anything, I think overuse of jargon creates an atmosphere of exclusivity that is probably unnoticed by its users.










